“Indë isn’t afraid of silence or moments of bare vocals. This gives Indë the freedom to pivot the tempo and tonality of a song on a dime. Throughout the album, clever and judicious use of vocal harmonies take the place of instrumentation. And when Indë uses vocal harmonies, they aren’t confined to the background — the vocal layers fight for attention with the melody and act like a rich sonic blanket — think Jacob Collier or (like it or not) Billie Eilish.”

— Steve B. of Boston Compass Newspaper